Dare to connect

There are lots and lots of people in the world.

And all of them want friends.

Everybody wants the really good kind of friends–the kind that support. The kind you can be real around. The kind that smile and hug and laugh. The kind you can call when you need.

You’re not the only one who feels this deep need to make a friend, to connect.

You’re very much not alone. You just might not know that you’re not alone.

The people really are out there. They all, like you, know what it’s like to be a person. So deep down they, also, are ready for connection.

So make that awkward move. Dare to connect.

You never, ever, ever know what might happen.

 

Maya Angelou - friend may be waiting behind a stranger's face

3 Unique Suggestions for Connecting Deeply

One-on-one. A group of friends. An audience watching you on stage. Whatever the context–truly, deeply connecting is the key to making a difference, to getting your message across, to building trust, to leaving a lasting impression, to inspiring good.

And I don’t think the ingredients in genuine connection differ too much from context to context.

So how DO you truly connect?

These aren’t the “top 3 ways.” There are lots of top 3 ways. But here are 3 ways that I found EXTREMELY useful in crafting a recent speech for my Toastmasters club:

1. Don’t describe your history. Use stories that give them the chance to feel your history.

Stories are said to increase your audience’s memory by twenty-two times what they’ll retain from the rest of your words. Stories are powerful.

I think where we can go wrong with stories, though, is telling people everything we think about our stories–how we felt about them, how we understood them, how everything fit in. Those aren’t bad things, but they’re not what’s memorable. What’s memorable–what really connects–is taking your audience’s hand and walking them through the story for themselves. It’s okay if they fill the story in with a few different colors and shapes than you. Let their imagination do its thing. All you need to do is put the audience right there. To put them through the experience as bluntly as you can.

I will understand you far better by reliving a couple crazy moments from your childhood than by hearing all the philosophizing you want to do about it all.

2. Get weirdly specific.

I wish I could take credit for this idea. I have learned to use it a lot, but I learned its value from an interview with a comedian. I’m pretty sure it was John Mulaney. Might have been Mike Birbiglia. It may have been John Mulaney talking about what he learned from Mike Birbiglia–who knows. Either way, here’s the gist: It’s easy to assume that the more broadly shared your experiences, the more people will get you. Well actually, it turns out that people get realness, not generic-ness. Even if their real was a little different than yours–they can feel your realness. People’s own lives aren’t generic, they’re extremely specific. So get very, super, weirdly specific.

For example: “When I was 18 I used to covertly bypass our burglar alarm at night so that I could sneak out later to take walks . . . alone . . . in the dark . . . in my trench coat.”

I could have told you all about how sheltered I felt my childhood was, the lack of freedom I felt, my desperation to get away, my loneliness and what a lifesaver my loneliness actually was to me, my fear and my need to keep my deepest needs sacred, my imagination and its strangely confident sense of my cool self, and the future version of me I expected to be. But those are ideas–concepts–concepts you may have experienced in your own ways in your own life. And making you listen while I analyze all those ideas through my own lenses requires a lot of attention. It requires a lot of you accepting and translating my interpretations. I don’t need to do all that work with you. And you may not have the time or patience. Instead, I can just give you a few really weird details. Details that make you go, “Oh yeah, I also have a weird life,” and then leaves your imagination filling in the blanks in my story. “What kind of kid wears a trench coat?”

3. Make it a roller coaster.

Don’t stay funny. Don’t stay happy. Don’t stay sad. Don’t stay serious. Don’t stay positive. Don’t stay hopeful. Don’t stay negative. Don’t stay bitter.

Life is a roller coaster. A crazy, spicy, ridiculous roller coaster.

Emotional roller coasters get people right in the feels. And getting people right in the feels is what sticks with them.

So lift your audience up. Then dash their hopes. Then show them the beauty in the ashes.

I bet that is an experience they can relate to.

Good luck!

Let’s use our stories to inspire hope and love in each other every chance we get. We’re all in this together!

Jimmy Neil Smith - connection of storytelling